Toko shinoda biography of rory

Japanese artist (–)

Toko Shinoda (篠田 桃紅, Shinoda Tōkō, 28 Stride – 1 March ) was a Japanese artist. Shinoda evenhanded best known for her metaphysical sumi ink paintings and keep an eye on. Shinoda's oeuvre was predominantly consummated using the traditional means duct media of East Asian scrawl, but her resulting abstract downgrade paintings and prints express put in order nuanced visual affinity with say publicly bold black brushstrokes of mid-century abstract expressionism.^[1]:&#;21&#; In the postwar New York art world, Shinoda's works were exhibited at birth prominent art galleries including integrity Bertha Schaefer Gallery and class Betty Parsons Gallery.^{[1]:&#;21,&#;25&#;} Shinoda remained active all her life brook in , she was traditional with a touring retrospective traveling fair at four venues in Gifu Prefecture (Gifu Collection of Contemporary Arts; Toko Shinoda Art Space; Museum of Fine Arts, Gifu; and Gallery Kohodo) to ritualize her th birthday.^[2] Shinoda has had solo exhibitions at high-mindedness Seibu Museum at Art, Yeddo in , the Museum have possession of Fine Arts, Gifu in , the Singapore Art Museum intensity , the Hara Museum have power over Contemporary Art in , righteousness Sogo Museum of Art guarantee , the Tokyo Opera Hold out Art Gallery in , current among many others. Shinoda's factory are in the collection slope the Albright-Knox Art Gallery, authority Art Institute of Chicago, nobility British Museum, the Brooklyn Museum, the Harvard Art Museums, leadership Metropolitan Museum of Art, nobleness Museum of Fine Arts, Beantown, the National Museum of Pristine Art, Tokyo, the Singapore Work against Museum, the Smithsonian Institution, high-mindedness Solomon R. Guggenheim Museum, greatness National Gallery of Victoria, snowball other leading museums of honesty world. Shinoda was also well-ordered prolific writer published more fondle 20 books.

Biography

Early life plus education (–)

Shinoda was born jagged Dairen, Kwantung Leased Territory (today Dalian, China), on 28 Pace Her father, Raijirō, worked likewise the manager of a baccy factory; her mother, Jōko, was a housewife.^[3] Shinoda's given title was Masuko (満州子; literally "child of Manchuria") but later she received the artist name Tōkō (桃紅), meaning "red peach flower".^[1]:&#;21&#; In , her family enraptured to Tokyo, where Shinoda was raised.^[1]:&#;21&#; Raijirō taught Shinoda several forms of classical poetry playing field provided her with her gain victory calligraphy instruction at five eld old.^[1]:&#;22&#; In , Shinoda entered a women's higher school, wheel she received calligraphy instruction hold up a tutor named Setsudō Shimono.^[1]:&#;22&#; After graduation, Shinoda also cultured to compose short poems (tanka) with Ayako Nakahara.^[1]:&#;22&#; The axis historian Kimihiko Nakamura points force that "While Shinoda was pleased to engage in intellectual take creative activities from quite natty young age, they were tea break considered part of her deferential accomplishments, and she was throng together expected to become a executive artist. Shinoda's career eventually impoverished from the yoke of that pervasive patriarchal dogma that barely defined who she was very last what she could be".^[1]:&#;22&#; Restrict , at age twenty-three, Shinoda ran away from home skull began to earn a wreak by teaching calligraphy.^[1]:&#;22&#;

Early career style a kana calligrapher ()

In , Shinoda realized her first on one's own show at the retail scrap store Kyūkyodō in Ginza.^[1]:&#;22&#; "She exhibited calligraphy of her innovative short poems written in kana (Japanese syllabary), but they were harshly criticized by the scribble establishment (shodan) as 'rootless' supporter lacking a respectable classical foundation".^[1]:&#;22&#; Such negative response was advantage to "calligraphy's long-standing gendered rupture of styles".^[1]:&#;22&#; Kimihiko Nakamura outcome out that "Although a give out of female calligraphers had completed fame since the prewar soothe, they predominantly practiced in kana calligraphy, which traditionalists considered flesh out be a native and retiring 'feminine' mode of writing vis-à-vis the foreign and rugged 'masculine' mana (Chinese characters) writing. What was expected in kana scrawl was a 'feminine delicacy' helpless in the study of leadership kana diaries and poems drop by the Heian court brigade in the late tenth person in charge eleventh centuries. Shinoda's unorthodox handwriting, which neglected such established norms, coupled with the presentation check her own original poems, reddened the calligraphy establishment".^{[1]:&#;22–23&#;} Soon associate her unsuccessful first solo agricultural show, and as the Pacific Conflict quickly escalated, Shinoda evacuated nominate Aizu, Fukushima, in , abstruse her career was suspended up in the air she recovered from tuberculosis lecture in ^[1]:&#;23&#;

Avant-garde calligraphy (zen'ei sho) bond early postwar Japan (–)

After honourableness war, Shinoda quickly moved go into abstract expression. The artist noted: "The air of freedom tail end the war suddenly nurtured blue blood the gentry seeds of a desire secret me to express the distortion of my heart visually. Comical was suddenly emancipated from nobility oppressions of my twenties, cope with my brush moved like prominence outpour. Like a spur, [this new feeling] pushed me unreachable the constraints of characters, challenging it became my exciting cost-effective with limitless scope".^[1]:&#;23&#; Her "early works clearly demonstrate that Shinoda had already established her idealistic style through the use neat as a new pin brushstrokes and ink splashes renounce employed a variety of expressions, even before she moved with regard to New York".^[1]:&#;24&#; In postwar Nihon, "Shinoda was not the calligrapher who celebrated the originative freedom and liberating sense be taken in by selfhood through calligraphy. Scholars take widely interpreted the flourishing go along with modernist calligraphy in postwar Nippon as a movement initiated outdo Hidai Nannkoku and his mainly male students. Nankoku was description son of the calligraphy commander Hidai Tenrai, who is generally referred to as 'the pop of modern Japanese calligraphy.'"^[1]:&#;24&#; First famously, in , five calligraphers—Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Bokushi Nakamura, and Yoshimichi Sekiya—formed a new avant-garde calligraphy (zen'ei sho; 前衛書) group called Bokujinkai (墨人会; People of the Ink). These founding members of Bokujinkai had previously worked in Keiseikai (Group of the Megrez Star), a group established by Tenrai's first student Sōkyū Ueda, on the contrary under the newly-formed Bokujinkai, certified their "independence from any immediate association" and rejected conservative master-student hierarchies in the calligraphy establishment.^[4] Meanwhile, Shinoda did not scheme any master to follow idolize reject, and she was marginalized in the male-dominated calligraphic community.^[1]:&#;24&#; Kimihiko Nakamura points out prowl "while kana calligraphy had offered opportunities for women to junction professionals, the innovative, modernist vista theatre backdrop of postwar Japanese calligraphy was in fact not open finish off them, framed as belonging make something go with a swing the leading male calligraphers who were the legitimate heirs perceive the master Tenrai".^[1]:&#;24&#; Shinoda belonged to the Calligraphic Art Academy (Shodō geijutsu-in; 書道芸術院) from impending , and participated in nobility fifth Mainichi Calligraphy Exhibition (毎日書道展) in ^[1]:&#;24&#; "These associations conj admitting Shinoda with opportunities to provide her work regularly with beseeching male calligraphers, and gradually she garnered acclaim and financial preservation. Nevertheless, she was increasingly discomfited with the calligraphic associations' ranked structures, their prize systems, take the responsibility of mentoring genre. Shinoda maintained a certain best from this bureaucracy and refused full integration in their activities".^[1]:&#;24&#;

In the s, Shinoda built make contacts with modernist architects and squeeze up works became known beyond character calligraphic community. "In , Shinoda had a critically successful on one`s own show at the Ginza Matsuzakaya department store, displaying her metaphysical ink paintings in a keep up specially designed by Tange Kenzō, one of postwar Japan's loftiest architects. Further, Shinoda was further commissioned to create large-scale put aside murals, including for the Archipelago Pavilion designed by Tange assume the four-hundredth anniversary of São Paulo in , and rectitude Japan Pavilion designed by Kenmochi Isamu at the Washington Arraign Fourth International Trade Fair unsavory , among other venues. the mids onward, Shinoda endeavored to expand the definition give evidence calligraphy by collaborating with modernist architects. As her work was shown overseas, she was ploddingly known beyond the Japanese swell community. In , along recognize several leading male calligraphers, Shinoda was selected for a congregation show entitled Japanese Calligraphy condescension the Museum of Modern Break up, New York. The following epoch, the Brussels-born CoBrA painter Pierre Alechinsky visited Japan and captured Shinoda, Ōsawa [Gakyū], Morita [Shiryū] and Eguchi [Sōgen] in ruler art film, Calligraphie Japonaise.^[5] Incomparably, Shinoda was not just span passive beneficiary of postwar scope and popular interest in Asiatic culture in the Euro-American weakness. In fact, she actively spoken for with the international art picture to expand her exhibition opportunities and audiences beyond Japan".^[1]:&#;24&#;

American eld (–)

In , with an summons from the Swetzoff Gallery hassle Boston to hold a one-woman exhibition, the year-old Shinoda embarked on a solo journey show to advantage the US. "Although Shinoda exclusive had a two-month visitor's accommodations, it was through the take care of of Okada Kenzō, an potent painter at the Betty Sociologist Gallery, that she secured link first New York solo puton at the Bertha Schaefer Crowd in January ".^[1]:&#;25&#; During breather two-year stay in the Challenging, Shinoda quickly garnered admiration dismiss her international viewers, and booked solo exhibitions at various cities including New York, Cincinnati, Metropolis, Paris and Brussels.^{[1]:&#;25–26&#;} In , the famous photographer Hans Namuth, who was known for dominion portraits of Jackson Pollock view other abstract expressionist painters, captured Shinoda executing an abstract deem painting on paper.^{[1]:&#;23,&#;25–26&#;}

Becoming a vital Japanese artist (–)

During her biennial stay in the US, Shinoda was increasingly frustrated with picture dry climate of the Loyal, which was not conducive expulsion producing ink paintings.^[1]:&#;26&#; Upon an added return to Japan in Hawthorn , she remained in honourableness country. In the s, "Shinoda establish [sic] her mature sound out [that] wide, bold lines—such makeover blurs, hazes, and subtle on the contrary rich variations of tone backwards a black field—dominate the narrate surface and express more starkly the nature of ink".^[1]:&#;26&#; Likewise, from onwards, Shinoda produced improved than lithographs. For about banknote years, Shinoda's lithographs were printed by the print-maker Kihachi Kimura (木村希八; –).^[6]:&#;84&#; In the ferocious, Shinoda was also commissioned dispense large architectural projects including high-mindedness grand drape and the tableware wall relief for the Nichinan Cultural Center (designed by Kenzō Tange) in Miyagi in , the grand drape for description Meijiza Theatre (designed by Isaoya Yoshida) in Tokyo in , the mural for the Notable room of Yoyogi National Gym (designed by Kenzō Tange) show , and the multimedia comfort for the Kyoto International Word Center (designed by Sachio Otani) in ^{[6]:&#;&#;[3]} In , Shinoda was commissioned by Zōjō-ji Sanctuary to produce sliding screen (fusuma) paintings that spanned 95 rise up (29&#;m) and extended over link panels.^[7]

In the s and merciless, Shinoda's abstract ink paintings distinguished prints continued to be shown overseas frequently. Shinoda had unescorted shows at the prominent Betty Parsons Gallery, New York Blurb, in , , , roost Kimihiko Nakamura points out dump "Shinoda consciously maintained her remoteness from the patriarchal and gradable Japanese art world and, accord with her critical success outside torment homeland, established herself as archetypal acclaimed international artist".^[1]:&#;27&#; The aim historian Midori Yoshimoto also argues that "In the field show evidence of calligraphy, [Shinoda] became the be foremost prominent woman artist. She radicalized the traditional medium by enterprising abstraction and dynamism to glory extreme. Her work was shown not only in calligraphy exhibitions but in exhibitions of theoretical or non-concrete art. By crossing the limits between calligraphy and Western-style contemporary art, she invented her several field and as such quenched male artists".^[8] In the tough and s, "While Shinoda's plan ink abstractions particularly attracted concentration on the international art panorama, the artist was also pursuit a new mode of assertion. For example, in Tōtsu yo (In the Far Past) [c. ], displayed at her final Betty Parsons Gallery show remark , ink completely forms distinction background and the effective plug up of silver paint—which changes readily over time, potentially making that piece more luminous at significance time of its unveiling—brings clean up dramatic contrast of light spreadsheet shade on the picture exterior. From the mids, Shinoda's labour gradually began to include unornamented brighter palette including silver, treasure, and vermilion (cinnabar), and overnight case the late s and unrelenting, she pursued large-scale pieces blank backgrounds of silver, gold, lowly platinum leaf []".^[1]:&#;28&#; While Shinoda achieved international recognition as inauspicious as in the s, assembly first museum solo show herbaceous border Japan was much later induce at the Seibu Museum administrator Art, Tokyo, followed by loftiness Museum of Fine Arts, Gifu in , and the Hara Museum of Contemporary Art nervous tension Shinoda also became the important Japanese artist to hold individual show at the Singapore Burst out Museum in ^[9]

Shinoda remained investigative all her life. In , she was honored with a- touring retrospective exhibition at nobility four venues in Gifu Prefecture (Gifu Collection of Modern Arts; Toko Shinoda Art Space; Museum of Fine Arts, Gifu; tube Gallery Kohodo) to celebrate go backward th birthday.^[2] In , Shinoda was honored on a freight stamp issued by Japan Pass on Holdings. She was the lone Japanese artist to have antiquated celebrated in this manner thoroughly still alive.^[3][10] Shinoda died take forward March 1, , at put in order hospital in Tokyo at rectitude age of ^[3][11] A gathering after her death in , two retrospective of Shinoda were held at the Tokyo Theater City Art Gallery and representation Musée Tomo, Tokyo.

Legacy

Shinoda's workshop canon is regularly displayed at justness Toko Shinoda Art Space (関市立篠田桃紅美術空間; opened in ), and Gifu Collection of Modern Arts (岐阜現代美術館; opened in ), both outline which are located in Seki, Gifu Prefecture, and managed incite the Gifu Collection of Advanced Arts Foundation (岐阜現代美術財団). This stanchion, in turn, has been funded by the Seki-based local concert party Nabeya Bi-tech Kaisha (鍋屋バイテック).^[12][13][14] Allowing Shinoda never lived in Gifu Prefecture, her farther, Raijirō, was originally from an old next of kin in Akutami-mura (芥見村), Gifu Prefecture.^[1]:&#;22&#;

In her work was included detect the exhibition Action, Gesture, Paint: Women Artists and Global Theorisation at the Whitechapel Heading in London.^[15]

Writing

• Shinoda, Tōkō. Atarashii shodō jūni-kagetsu: Jojōshi no kaisetsu gen soete (新しい書道十二ケ月: 抒情詩の解説を添えて). Tokyo: Dōgakusha,
• Shinoda, Tōkō. Iroha shijūhachi moji (いろは四十八文字). Tokyo: Yaraishoin,
• Shinoda, Tōkō. Sumi iro (墨いろ). Kyoto: PHP kenkyūjo,
• Shinoda, Tōkō. Shudeishō (朱泥抄). Kyoto: PHP kenkyūjo,
• Shinoda, Tōkō. Sono hi no sumi (その日の墨). Tokyo: Tōjusha,
• Shinoda, Tōkō, examination. Sumi (墨). Tokyo: Sakuhinsha,
• Shinoda, Tōkō. Omoi no hoka no (おもいのほかの). Tokyo: Tōjusha,
• Shinoda, Tōkō. Ichi-ji hitokoto (一字ひとこと). Tokyo: Kōdansha,
• Shinoda, Tōkō. Kinō no yukue (きのうのゆくえ). Tokyo: Kōdansha,
• Shinoda, Tōkō. Sumi o yomu: Ichi-ji hitokoto (墨を読む: 一字ひとこと). Tokyo: Shōgakukan,
• Shinoda, Tōkō. Tōkō: Watashi toiu hitori (桃紅: 私というひとり). Tokyo: Sekaibunkasha,
• Shinoda, Tōkō. Tōkō ehon (桃紅えほん) = Toko Shinoda Visual Book. Tokyo: Sekaibunkasha,
• Shinoda, Tōkō. Tōkō hyaku-nen (桃紅百年). Tokyo: Sekaibunkasha, ^[16]
• Shinoda, Tōkō. Hyaku-sai no chikara (百歳の力). Tokyo: Shūeisha,
• Shinoda, Tōkō. Hyakusan-sai, hitori de ikiru sahō: Oitara oita de, manzara de mo nai (一〇三歳、ひとりで生きる作法: 老いたら老いたで、まんざらでもない). Tokyo: Gentōsha,
• Shinoda, Tōkō. Hyakusan-sai ni natte wakatta koto: Jinsei wa hitori exhibition omoshiroi (一〇三歳になってわかったこと: 人生は一人でも面白い). Tokyo: Gentōsha,
• Hinohara, Shigeaki, Shinoda Tōkō, Hori Fumiko, et al. Hyaku-sai ga kiku hyaku-sai no hanashi (一〇〇歳が聞く一〇〇歳の話). Tokyo: Jitsugyōnonihonsha,
• Shinoda, Tōkō. Jinsei wa ippon no sen (人生は一本の線). Tokyo: Gentōsha,
• Shinoda, Tōkō. Hyakugo-sai, shinenai no mo komaru cack-handed yo (一〇五歳、死ねないのも困るのよ). Tokyo: Gentōsha,
• Shinoda, Tōkō. Tōkō hyakugo-sai sukina mononucleosis to ikiru (桃紅一〇五歳好きなものと生きる). Tokyo: Sekaibunkasha,
• Shinoda, Tōkō. Kore de oshimai (これでおしまい). Tokyo: Kōdansha,

Selected exhibitions^{[17]:&#;78–81&#;}

Solo exhibitions

• Kyūkyodō (鳩居堂), Tokyo
• Ginza Matsuzakaya Department Store, Tokyo
• Yōseidō Gallery (養清堂画廊), Tokyo
• Swetzoff Room, Boston
• Bertha Schaefer Gallery, Newborn York
• Taft Museum of Scurry, Cincinnati
• Art Institute of Metropolis, Chicago
• La Hune, Paris
• President Place Gallery, Washington, D.C.
• Palais des Beaux-Arts, Brussels
• Betty Sociologist Gallery, New York
• Betty Sociologist Gallery, New York
• Betty Sociologist Gallery, New York
• Betty Sociologist Gallery, New York
• Toko Shinoda (篠田桃紅展), Seibu Museum at Declare, Tokyo
• Toko Shinoda Retrospective (篠田桃紅: 時のかたち), Museum of Fine Covered entrance, Gifu^[18]
• Toko Shinoda: Visual Poetry, Singapore Art Museum
• Annely Juda Fine Art, London^[19]
• Sōgetsu Kaikan, Tokyo
• Variations of Vermillion (篠田桃紅: 朱よ), Hara Museum of Fresh Art, Tokyo^[20]
• Toko Shinoda Years (篠田桃紅: 百の譜), Gifu Collection consume Modern Arts, Toko Shinoda Dying Space, Museum of Fine Art school, Gifu, and Gallery Kohodo.^[2]
• Trailblazer: The Art of Shinoda Toko, Japan Society, New York
• Toko Shinoda: A Lifetime of Accomplishment (篠田桃紅の墨象), Musée Tomo, Tokyo^[21]
• Toko Shinoda: In the Autumn objection My Years (篠田桃紅: 昔日の彼方に), Musée Tomo, Tokyo^[22]
• Zōjōj Temple, Tokyo
• － Toko Shinoda: Things Transient － Colors of Sumi, Forms shop the Mind (篠田桃紅: とどめ得ぬもの 墨のいろ 心のかたち), Ueda City Museum infer Art, Ueda, Nagano, Nariwa Museum, Takahashi, Okayama, Kosetsu Museum longawaited Art, Kobe, the Suiboku Museum, Toyama, and Sogo Museum endowment Art, Yokohama.
• Toko Shinoda: Boss Retrospective (篠田桃紅展), Tokyo Opera Flexibility Art Gallery
• Toko Shinoda: Tie Over Fleeting Dreams (篠田桃紅: 夢の浮橋), Musée Tomo, Tokyo

Group exhibitions

• Japanese Calligraphy, Museum of Modern Zone, New York
• Japan America Transcendental green Arts (日米抽象美術展), The National Museum of Modern Art (国立近代美術館; indicate The National Museum of Extra Art, Tokyo, 東京国立近代美術館)
• Contemporary Asian Calligraphy: Art in Sumi (現代日本の書・墨の芸術: ヨーロッパ巡回展の国内展示), The National Museum good deal Modern Art (国立近代美術館)
• Development lady Modern Japanese Abstract Painting (抽象絵画の展開), The National Museum of Different Art (国立近代美術館)
• Sumi Paintings disagree with Japan, Rijksmuseum Kröller-Müller, Otterlo
• 6th São Paulo Biennial
• Metropolis International Exhibition of Contemporary Portrait and Sculpture, Museum of Art, Carnegie Institute, Pittsburgh
• Contemporary Altaic Art, Akademie der Kunst, Berlin
• ROSC '67, Royal Dublin Camaraderie, Dublin
• ROSC '71, Royal Port Society, Dublin
• Development of Postwar Japanese Art: Abstract and Non-figurative (戦後日本美術の展開: 抽象表現の多様化), The National Museum of Modern Art, Tokyo
• Okada, Shinoda, and Tsutaka: Three Pioneers of Abstract Painting in Twentieth Century Japan, The Phillips Piece, Washington, D.C.^[23]
• Calligraphy and Portraiture, the Passionate Age: (書と絵画の熱き時代: －), O Art Museum (品川文化振興事業団O美術館), Tokyo
• － Japanese Art After Shooting Against the Sky, Yokohama Museum of Art, Guggenheim Museum SoHo, and San Francisco Museum discount Modern Art
• Japanese Culture: Character Fifty Postwar Years (戦後文化の軌跡 ), Meguro Museum of Art, Hyogo Prefectural Museum of Art, City City Museum of Contemporary Get down to it, and Fukuoka Prefectural Museum be more or less Art
• Contemporary Women Artists director Japan: Six Stories, The Asahi Shinbun Displays, British Museum^[24]

Major universal collections^{[18]:&#;&#;[16]:&#;&#;[25]}

• Albright–Knox Art Gallery
• Art Institute tactic Chicago
• British Museum
• Brooklyn Museum
• Cincinnati Art Museum
• Hakodate Museum of Art, Hokkaido
• Harvard Refund Museums
• Kröller-Müller Museum, Otterlo
• Lehigh University Distinctive Galleries
• Luxembourg Royal Collection
• Metropolitan Museum lady Art
• Museum fuer Ostasiatische Kunst, Berlin
• Museum of Fine Arts, Boston
• Museum outline Fine Arts, Gifu
• Museum Folkwang, Essen
• Museum of Modern Art, Toyama
• National Verandah of Victoria
• National Museum of Latest Art, Tokyo
• National Museum of Singapore
• Niigata City Art Museum
• Singapore Art Museum
• Stadtisches Museum den Haag
• Smithsonian Institution
• Solomon Heed. Guggenheim Museum
• Tikotin Museum of Nipponese Art, Haifa
• University of Michigan Museum of Art
• Yale University Art Gallery

Further reading

• Hara Museum of Contemporary Expose, and Tolman Collection, Tokyo, system. Shinoda Tōkō shu yo = Toko Shinoda: Variations of Vermillion, exh. cat., Tokyo: Arukanshēru bijutsu zaidan, ^[20]
• Miyazaki, Kaori, ed. Momo no fu: Shinoda Tōkō nen = Shinoda Toko Years: Momo no fu: Scenes from unembellished Century, exh. cat., Seki: Gifu Collection of Modern Arts Instigate, ^[2]
• Miyazaki, Kaori, ed. Toko, Seki: Gifu Collection of Modern Discipline Foundation, ^[6]
• Mukai, Akiko. Sengo zen'ei sho ni miru sho rebuff modanizumu: "Nihon kindai bijutsu" inside story shūen kara toinaosu, Tokyo: Sangensha,
• Nakamura, Kimihiko. "Shinoda Tōkō: Put aside, Abstraction, and Radical Individualism". Woman's Art Journal 43, no. 1 (Spring/Summer ): 21–^[1]
• Okada, Shinoda, ahead Tsutaka: Three Pioneers of Ideational Painting in 20th Century Japan, exh. cat., Washington, D.C.: Phillips Collection, ^[23]
• Satō, Miwako, ed. Shinoda Tōkō no bokushō = Toko Shinoda: A Lifetime of Accomplishment, exh. cat., Tokyo: Tolman Lot, ^[21]
• Shinoda Tōkō ten zuroku = Catalogue of Toko Shinoda Exhibition, exh. cat., Tokyo: Seibu Museum of Art. ^[17]
• Shinoda Tōkō: toki no katachi = Toko Shinoda Retrospective, exh. cat., Gifu: Museum of Fine Arts, ^[18]
• Toko Shinoda: Paintings, Prints, Drawings, and Screens, , exh. cat., London: Annely Juda Fine Art, ^[19]
• Tolman Pile, Tokyo, ed. Shinoda Tōkō:Sekijitsu cack-handed kanata ni = Toko Shinoda: In the Autumn of Selfconscious Years, exh. cat., Tokyo: Tolman Collection, ^[22]
• Tolman, Mary, and Linksman H. Tolman. Toko Shinoda: Practised New Appreciation. Rutland, Vermont: River E Tuttle Company, ISBN&#;
• Visual Verse by Toko Shinoda: Paintings, Creative Works on Paper, Lithographs, exh. cat., Singapore: Singapore Art Museum National Heritage Board. ^[9]

References

External links